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The New Contemporary Art Magazine
rom the elbowing to the knee-shoving, there’s no denying that the full-contact, female-dominated sport of roller derby is a badass one. And so are the women who play it. Their ability to take a hard hit and get back up again is the epitome of girl power—and has inspired Finnish artist Riikka Hyvönen to make their unapologetically bruised butts the stars of her artworks.. Read Caro's full article on the artist by clicking above!
"I think I was born to be a composer," says Kuksi by phone from Lawrence, Kansas, "maybe, secondarily, an artist." Kuksi is certainly an artist, but his great talent is taking careful consideration of every small part—some so tiny that they could easily fall into a crack—as he constructs much larger arrangements. Read the full article by Liz Ohanesian, by clicking above.
“I was never interested in art. I never got into it,” says Daniel Martin Diaz on a recent phone call with Hi-Fructose. “I never looked at art books. I really, honestly, didn't even know basic things like surrealism like Dali or Escher existed until I was probably, I think, 18 or 19.” That was around the time when Diaz, the Tucson-based artist known for his precisely detailed illustrations merging seemingly disparate subjects like science and mysticism, stumbled into the art section of a library and came across 1920s surrealism. “I just knew when I saw that it just resonated with me so strongly that I just became obsessed by it.” Read the full article by Liz Ohanesian by clicking above.
he paintings of Andrew Hem linger just left of reality. With his instantly recognizable style, Hem blends figurative painting and atmospheric landscapes, echoes of graffiti art and a deep understanding of color harmony. Rendering scenes both urban and rural, modern yet outside of time, he creates works that are a mix of realism and surrealism, personal truths and collective dreams. Read all about the artist by clicking above.
From a distance, the storefront appears as a nondescript convenience mart, tucked underneath the Standard, High Line hotel in New York City's Meatpacking District. Yet close inspection reveals something else entirely: hundreds of felt sculptures, all emulating the products often sold in corner stores across the city. This is the work of Lucy Sparrow, self-described “feltist” and installation artist... Read the entire article by Andy Smith by clicking above.
Adam Parker Smith takes famed—perhaps infamous—sculptures from Greco-Roman antiquity and squishes them. It’s in their squashing that new meanings, and new questions, rise to the surface. Read Michelle Robertson's full article by clicking the above image.
he glass figurines in Lola Gil’s latest work are essentially still lifes. She owns each one, treasures each one. Holds and manipulates them to understand their qualities, their quirks. She depicts everything about them except her own fingerprints on their surface Read all about Lola Gil by clicking above.
ear the dawn of the twenty-first century, Brian Dettmer was primarily a painter. But one day he embarked on a series of works where he applied the torn pages of newspapers and books to his canvases. “I liked the idea that the information actually existed there on the canvas, even though it wasn’t really readable,” he recalls on a recent phone call. “It became more of a visual archive.” Those collaged canvases led to sculptures made from stacks of books, which he would carve in ways where the alterations were not obvious until the viewer came close to the piece. While making one such sculpture, Dettmer noticed a landscape inside a book, carved around it and peeled back more pages. As he did that, a new figure emerged. “That was my eureka moment when I realized that this was an exciting process,” says Dettmer. “At the time, and even more so now, it seemed to make sense.” Twenty years later, Dettmer is best known for his elaborate book sculptures that have appeared in galleries, museums and universities across the United States. Read Liz Ohanesian's full article on the artist by clicking above.
The realities that Hattie Stewart manifests have a carnival quality—gleaming, trashy fun with a slightly sinister undertone like golden midway tokens that rust and then jingle in your hand like they are laughing at you for believing the gold was real anyway. “Nothing brings me more joy,” Stewart says, “than taking a clean blank page and filling every inch of it with colors and imagined worlds.” Read Clayton Schuster's full article on the artist by clicking above.
Anna Weyant’s work appears to have more in common with film than painting. Liz Ohanesian delves into the rising art star's latest work. Click above to read it, k?
Talk with Jean-Pierre Roy for long enough and you begin to get the sense that, with the right amount of imaginative discernment, the boundaries between what many perceive to be high and low art are frequently not boundaries at all, but rather intricate, furtive passageways. Read the full article with the artist by clicking above...
With their color palettes like rare, tropical birds, Erik Jones’ paintings present beauty as it might exist in a vacuum. Or at least that’s the illusion. Read the entire article by Nastia Voynovskaya by clicking above...
Kate MccGwire creates spellbinding, darkly sensual sculptures by layering feathers over serpentine structures. Read Kirsten Anderson's full article on the artist by clicking above, with photos courtesy of Tessa Angus 
There's a lot in Sandberg's tool box. He has worked with acrylic and oil, etching and photoengraving. Frequently, he plays with characters that blur the line between human and monster. Their bodies are shaped like ours. Their clothes are like ours, but their covered in hair. Sometimes, they take on the appearance of werewolves with animal-like fur. Other times, the hair spirals off their faces and bodies like think pieces of clumps of brightly colored yarn or long, rolled strands of Play-Doh. Read Liz Ohanesian's full article on the artist by clicking above.
Though represented in a signature mounted or freestanding taxidermy style, Fosik’s work is less about the animal in the form and more about the culture it represents. Inside these colorful, twisted, anthropomorphic creatures is a hint of humanity, a tug at the heartstrings of our own realities. Click Above to read Natasha Van Duser's full article on the artist.
Whether floating on open water to an international art fair , or within the bounds of a white cube gallery , the artist known as Swoon has creating immersive, intuitive and thought-provoking work since 1999 in the public space. Read Silk Tudor's full article on the artist by clicking above.
In Anna Park’s drawings, contemporary party-goers mingle and cavort, each a snapshot that can appear at once playful and somewhat sinister. Read all about Anna Park's work by clicking above.
In galleries, churches, museums, on walls, and the streets, Okuda San Miguel lights up spaces with his faceted surrealism. Read the full article on the artist by James Charisma by clicking above.
Take a dive into the intricate sculptures of Katsuyo Ayoki with this article by Joseph Williams, just click the image above!
Discussing Haroshi's work is impossible without having a conversation about skateboarding. The Japanese artist's wood sculptures—objects composed of skate decks that look as if they have been melted into new forms through an obscure alchemy—balance loud, in-your-face subject matter with painstakingly laborious craft. Read all about the artist by clicking above!
In the fanciful depictions of Magda Kirk, massive deity-like characters reign over an inter-dimensional world comprised of emotion, self-awareness, and unlimited possibility. Read Zara Kand's full article on the artist by clicking above.
One might think it unlikely to find skeletons, grinning cat’s faces, vampires, and baby dolls chilling in a room together—noshing pizza with Simpsons-like characters flitting across the television. But in Matthew Palladino’s domain, anything goes. Read Zara Kand's full Hi-Fructose exclusive article by clicking above!
(Above: Drone photo by stephan pruitt/fiasco media) We are living in even stranger times. While fires are ravaging Los Angeles on the west coast of the United States, affecting many of our friends and collaborators, the scores of artists in Asheville affected by Hurricane Helene in December are still reeling from the loss of their homes and studios. To provide support, Bender Gallery has organized an art show with their local artists to support the River Arts District. Click above to read all about it and see a few works on display.
Less than two years ago, New Mexico painter Anthony Hurd completely changed the subject matter depicted in his paintings, focusing on themes which related to the artist on a more personal level. While Hurd’s graphic paintings of dynamic skulls were quite popular, his painterly depictions of male figures having intimate moments are simple and powerful. See the full video here!
Get a sneak peek at the next print issue of Hi-Fructose New Contemporary Art Magazine! Click Above.
We live in strange times and artists Michael Kerbow and Mike Davis both have something in common: they use surrealism and time travel to address modern and existential issues. Click above to read the Hi-Fructose exclusive interviews with painters Mike Davis and Michael Kerbow about their respective solo showings.

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