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The New Contemporary Art Magazine
Rammellzee was a polymath. Shortly following his start in graffiti in the early ‘70s, tagging trains in his hometown, Far Rockaway in Queens, he began developing a theory about life and liberation through controlling letterforms, transforming words and thought into a new kind of warfare against those that use information to control... Read the full article on the artist by clicking above! (photo by Joshua White, courtesy of the Estate of Rammellzee and Jeffrey Deitch, Los Angeles) Los Angeles)
he glass figurines in Lola Gil’s latest work are essentially still lifes. She owns each one, treasures each one. Holds and manipulates them to understand their qualities, their quirks. She depicts everything about them except her own fingerprints on their surface Read all about Lola Gil by clicking above.
The realities that Hattie Stewart manifests have a carnival quality—gleaming, trashy fun with a slightly sinister undertone like golden midway tokens that rust and then jingle in your hand like they are laughing at you for believing the gold was real anyway. “Nothing brings me more joy,” Stewart says, “than taking a clean blank page and filling every inch of it with colors and imagined worlds.” Read Clayton Schuster's full article on the artist by clicking above.
Aafter nearly two decades as a professional artist, his work retains an authenticity that many attempt, but few master. Read Clayton Schuster's interview with the artist by clicking above!
Whether portraying people of the past or present, of great fame or total anonymity, Bisa Butler brings the viewer face to face with images of dignity and grace. Read Clayton Schuster's article on the artist by clicking above.

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