Menu
The New Contemporary Art Magazine

Emily Fromm’s Urban Landscapes Shown in ‘NO VACANCY’

Taking influence from classic American signage and comic art, Emily Fromm crafts bustling scenes taken from corners across Western cities. In an upcoming show at 111 Minna Gallery in San Francisco, “NO VACANCY,” she offers a group of works that show the “over-the-top yet seedy aesthetic of the American West.” The show kicks off Jan. 11 and runs through Feb. 23.


Taking influence from classic American signage and comic art, Emily Fromm crafts bustling scenes taken from corners across Western cities. In an upcoming show at 111 Minna Gallery in San Francisco, “NO VACANCY,” she offers a group of works that show the “over-the-top yet seedy aesthetic of the American West.” The show kicks off Jan. 11 and runs through Feb. 23.


The gallery adds this: “The show will also contain several paintings created for a public art project in conjunction with the San Francisco Arts Commission for San Francisco International Airport, to be installed in early 2020,” the gallery says. “These paintings will ultimately be adapted into ceramic tile mosaic to create large-scale wall-mounted vignettes of Fromm’s San Francisco-centric scenes, which will be installed in the redeveloped Terminal One upon its opening. The paintings will be available to view at 111 Minna, and some of the earlier concept paintings will be available for purchase.”

See more images from the show below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
The cerebral paintings of Chris Mars pack a new show at Copro Gallery, with a collection of surreal works that very in both size and scope. His new solo effort kicks off on May 11 and runs through June 1. (Mars was last featured on cctvta.com here and here.) Works such as "Relativity" (below) show the artist's knack for embedding visages in the contours of structures.
It's blistering cold outside, but the whiskey is keeping you warm and the crackling of the record player is drowning out the howling wind outside. Jonathan Viner's new paintings for his upcoming solo show "Cold Snap" immerses the viewer in stylized, retro images of this sort of wintery paradise. Filled with nostalgic imagery and elements of '70s counterculture, his paintings are rife with intrigue amid their idyllic milieu. The works take on an illustrative quality as they let viewers in on an art theft in progress or what looks like an erotic encounter gone awry. "Cold Snap" opens at Sloan Fine Art in New York on October 24 and will be on view through November 2.
Born in Bologna, Nunzio Paci developed his artistic finesse viewing the Baroque style of painting promoted in Paci's home city in the 16th and 17th centuries. The Accademia degli Incamminati (Academy of Progressives) was established in 1582 and elevated the arts to the same level of intellectual rigor as astronomy and medicine, in addition to poetry and music. In the 21st century, Paci continues the tradition of his ancestors, innovating compositions that are a triangulation of anatomical study, lyrical song, and psychological probe.
In the fanciful depictions of Magda Kirk, massive deity-like characters reign over an inter-dimensional world comprised of emotion, self-awareness, and unlimited possibility. Read Zara Kand's full article on the artist by clicking above.

Subscribe to the Hi-Fructose Mailing List