Eva Redamonti’s dynamic, hyperdetailed drawings blend futurism and fantasy, her works often packed with tension and movement. Part of that tension can also be found in her approach, as she uses both India Ink on paper and digital coloring methods. Her work often moves between human and machine—with absorbing transitions.
“My artwork has developed itself over the years,” a statement says. “This was partly through practice, but also through the influence of life’s day-to-day experiences without touching pen to paper. Fantasy and imagination are important elements in my work. By combining movement, structure, symmetry and detail, I try to obscure the lines between cosmic fantasy and reality while creating a three-dimensional space within two-dimensional media.”
Redamonti, a Berklee College of Music, is also a composer and flutist. Her musical practice is active alongside her work in visual art. See more of her recent work below.
Using pop culture and his distinct distortion of scale, artist 
Christine Kim's practice is a blend of painting, drawing, and sculpture. The Toronto-based artist’s experimentations with layering and cutting works moves between both graphite drawings and painting. Each carry ghostly notes, each offering their own considerations of negative space.
Images of an infant’s face marked with a plastic surgeon’s pen and an elderly woman with wrinkled skin that glows green under the light of a tanning bed are just some of the deeply disturbing images that will be displayed at