Menu
The New Contemporary Art Magazine

The Wild, Intricate Animated Gifs of Javier Arres

Javier Arres, an illustrator and graphic designer living in Madrid, Spain, crafts animated GIFs that often depict hyperdetailed, fantastical machines. The artist has his own moniker for these animations: “visual toys.” Whether it’s a wild coffee-maker or a roving entertainment bus, the artist builds GIFs that require dozens of loops to fully comprehend.

Javier Arres, an illustrator and graphic designer living in Madrid, Spain, crafts animated GIFs that often depict hyperdetailed, fantastical machines. The artist has his own moniker for these animations: “visual toys.” Whether it’s a wild coffee-maker or a roving entertainment bus, the artist builds GIFs that require dozens of loops to fully comprehend.



The artist’s traditional illustrations are also something to behold, as several hold even more intricacy and secrets than their animated counterparts. The bold work carries hints of Terry Gilliam’s Monty Python animations, steampunk fare, and sci-fi surrealism. The artist’s website shows work from the last couple years, but it seems that the GIFs are a recent interest of Arres, who only had a handful displayed.




Several of the pieces carry broad messages, in the form of single words. The most common is “Nuevo,” which means “new” in Spanish. While it’s most common in the illustrations, you’ll also find it on the flag of the airplane flying by the artist’s massive ice cream cone ship. Though its meaning isn’t immediately clear, this detail does offer yet another tiny gem hidden in the work of Javier Arres.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Netherlands-based illustrator Marald Van Haasteren has crafted art for bands since the late ’80s. His work, for the likes of Baroness, High on Fire, Kylesa, and several others, carries both provocative and elegant elements. These works range from colored pencil and acrylic paintings to digital pieces.
Though the creatures of Claudio Romo are bizarre and at times, frightening, the illustrator’s distinct linework gives each a certain elegance. The Chile-based artist has produced a number of books carrying his strange monsters and plantlife (among them, the beautifully titled “The Book of Imprudent Flora”). Through often carrying no specific timeline, his practice has also extended into the futuristic, as evidenced below.
With a decidedly Victorian twist, Olex Oleole puts together images that don’t quite fit together. A phonograph emerges from a heart while what look like animals behinds are sliced off and held together by two strings. Eventually, themes begin to emerge. A Nike logo appears over a cryptic figure with the snarky title Throw caution to the wind and just do it. Another shows a woman’s head turned into a vintage camera with the words Maybe you should consider keeping your selfies to yourself? Each piece feels surreal even while it looks familiar. The juxtaposition of human and machine or modern logo and mysterious character feels like a puzzle waiting to be solved. Once you put the pieces together — mostly with the help of each biting title — the other little details make the joke that much funnier. The conflation of time works just right, as the men and women in Victorian dress remind us of the age-old folies of vanity, consumption and more.
In a new show arriving Nov. 5, Corey Helford Gallery in downtown Los Angeles hosts “Alessandra Maria & Lauren Marx.” The gallery draws a fascinating tie between the works of the two artists: “In the process of creating her own world, [Maria] and [Marx] each share in their use of powerful and traditional iconography to tell a story.” The show runs through Dec. 10.

Subscribe to the Hi-Fructose Mailing List