Menu
The New Contemporary Art Magazine

The Oil Paintings of Sarah Slappey

At once lush and eerie, Sarah Slappey's oil paintings offer vague limbs and organs against natural environments. Of her distinct visual language, she’s said “I wanted to build a world from the bottom up.” The South Carolina native, now residing in Brooklyn, New York, has recently shown these scenes at venues in New York City and Switzerland.

At once lush and eerie, Sarah Slappey’s oil paintings offer vague limbs and organs against natural environments. Of her distinct visual language, she’s said “I wanted to build a world from the bottom up.” The South Carolina native, now residing in Brooklyn, New York, has recently shown these scenes at venues in New York City and Switzerland.

“Intersecting human and environmental boughs, Slappey’s enigmatic works connect vulnerabilities and affinities of the present through lush fantasy and self-horror,” Hesse Flatow says of the artist, in a piece from curator Alison Karasyk. “Limbs glisten with slime, spotlights reveal tender secrets beneath the darkness of twilight, and nutrients are exchanged between the damp forest and a swelling anthropoid.”

See more of her paintings on her site.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
R. Freymuth-Frazier's oil paintings dangle sexuality before the viewer before replacing it with feelings of discomfort and alienation. The soft, supple women in her works often stare out from the canvas with confrontational gazes, as if reproaching us for tracing their ample curves with our eyes. Freymuth-Frazier's work lives within this tension, casting a dark shadow on eroticism as a site for all sorts of anxieties and hang-ups instead of a pure expression of love. The artist is based in New York City. Instead of pursuing a traditional education, she apprenticed with several established painters including Odd Nerdrum, whose work appears to have influenced her delicate, hazy yet surreal style. Take a look at some of her recent paintings after the jump.
Amy Casey is known for her paintings of miniature towns with teeny suburban houses and buildings, many of which are modeled after the ones she comes across in her adopted hometown of Cleveland. Rendered in incredible detail, her tiny structures are stacked like building blocks and teeter on stilts at anxiety-inducing heights. Connecting these delicate communities are maddening networks of highways and cables, and while people are visibly absent from the picture, there is no doubt that these microcosms are brimming with life and nervous energy. We featured her work in Hi-Fructose Vol. 5 and on the blog here and here.
As a young girl, artist Margaret Bowland's favorite books and songs told stories about love and life, stories that condition girls to expect certain things out of life and want to be a certain way. Ideas about love, beauty, and personal identity are at the heart of her 19th century-inspired oil paintings, covered here. In particular, her portraits often feature the same African American girl named "J", grandly styled with her face painted white, and attended to by white servants. She makes a reappearance in Bowland's upcoming exhibition at Driscoll Babcock in New York, "Power".
In the fanciful depictions of Magda Kirk, massive deity-like characters reign over an inter-dimensional world comprised of emotion, self-awareness, and unlimited possibility. Read Zara Kand's full article on the artist by clicking above.

Subscribe to the Hi-Fructose Mailing List