South Korean artist Lee Bul creates sculptures and installations that move between dystopian techno-monsters and objects pulled from ruinous cityscapes. Emerging out of the late 1980s, Bul has examined urbanization, mythology, and societal “progress” in major exhibitions and shows. Earlier this year, she nabbed the annual, prestigious Ho-Am Prize.
Lehman Maupin speaks to his fascination with the “cyborg”: “For Lee Bul, humankind’s fascination with technology ultimately refers to our preoccupations with the human body and our desire to transcend flesh in pursuit of immortality. This interest often materializes in her work in the form of a cyborg—a being that is both organic and machine—the closest thing to a human that truly achieves this ideal. Lee Bul considers the cyborg a conceptual metaphor in its personification of social attitudes to technology; simultaneously a paragon and a monster.”
Find more of Bul’s work on her website.
Brooklyn-based, Michigan-raised artist 
Bruno Weber was a master of crafting fantastical creatures, and there’s no greater example than the 220,000-square-foot sculpture garden bearing his name in his native Switzerland, visited by thousands each year. Inside this magical park, nestled in Spreitenbach and Dietikon, visitors can scale and interact with its inhabitants. Here, artist Angie Mason shares photos from her recent visit there.
Canadian artist