Menu
The New Contemporary Art Magazine

Jim Carrey’s Drawings Shown in Montreal Exhibition

Jim Carrey's politically charged drawings fill the exhibition "This Light Never Goes Out," currently running at the Phi Center in Montreal. Known as a comedic legend on the screen, Carrey has shared his personal visual art practice on social media since 2016. The artist often depicts current political figures in his drawing, commenting on everything from the President's border policies to the marriage of George and Kellyanne Conway.

Jim Carrey’s politically charged drawings fill the exhibition “This Light Never Goes Out,” currently running at the Phi Center in Montreal. Known as a comedic legend on the screen, Carrey has shared his personal visual art practice on social media since 2016. The artist often depicts current political figures in his drawing, commenting on everything from the President’s border policies to the marriage of George and Kellyanne Conway.

“We have the privilege of presenting Jim Carrey’s delicate collection of paper drawings depicting his outrage at the current political climate since the inauguration of the current president of the United States,” says Phoebe Greenberg, founder and director of Phi. “We are pleased to present these works that chronologically illustrate Carrey’s use of the Twitter platform as an effective dissemination tool.”

The exhibition runs through Sept. 1. Read more on Phi Center’s site.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
The female subjects of Sasha Ira’s drawings are at varying stages of life, symbolically encountering strings that bind them or a surrounding growth of flora. The artist's knack for subtle expression offer varying impressions of control in how these women grapple with what’s enveloping them. In her current show at Haven Gallery in Northport, New York, “Devenir,” Ira’s graphite renderings are mixed with acrylics, colored pencil, and other mediums for pops of vibrancy. The show runs through Sept. 11.
Carl Krull's drawings have a visceral appeal. Each of his works is composed of horizontal lines that start out parallel and wrinkle somewhere in the middle, yielding figures as if out of some primordial mass. Sometimes the forms he draws are hardly distinguishable from one other. The eye attempts to untangle his orgiastic cacophony of limbs and biomorphic shapes as if they were some strange riddle. On September 27, Krull debuted his solo show "Seismic" at V1 Gallery in Copenhagen. The pieces evoke both the smooth grooves of cliff sides and the monochromatic markings of seismographs. By setting restrictions on his process (he seems to refuse to take the charcoal off the paper until it has crossed from one side to the other), Krull captures the quality of geological formations and invokes themes of creation and mythology.
Houston-based artist Ana Marietta paints and draws animals with exaggerated human features to create sympathy for her subjects. Looking at a raven with wide eyes glassy with tears, or a frowning pelican dimpled with warts, one feels the animal's deep sorrow. The creatures appear to look outward however, suggesting their sadness comes from the environment, as opposed to any personal ailments directly. Their anthropomorphic deformities hint at something unnatural, an effect explained only by human behavior and intervention.
David Fullarton, simply, makes "pictures with words on them." Yet, despite that simple tagline adorning his site, examination of his mixed-media works yields much more than that. His figurative drawings not only reflect something deeply human; they also carry as much of weight of the humor in each work as the text. Fullarton can something that’s at once desperate, hilarious, pitiful, and somehow joyful.

Subscribe to the Hi-Fructose Mailing List