Menu
The New Contemporary Art Magazine

The Cross-Dimensional Wearable Art of Leeroy New

Leeroy New's otherworldly wearable art comes from found objects and discarded plastics, with the multidisciplinary artist’s vision making vibrancy out of the overlooked. New's practice encompasses both wearable and installation art, as his major public works have turned heads in his native Philippines and beyond.

Leeroy New’s otherworldly wearable art comes from found objects and discarded plastics, with the multidisciplinary artist’s vision making vibrancy out of the overlooked. New’s practice encompasses both wearable and installation art, as his major public works have turned heads in his native Philippines and beyond.

“As a response to the issue of art and art practitioners’ (in)visibility in the Philippines, New decided early on that cultivating a language for large scale public art was the challenge he had to take on,” his site says. “Through his persistence, despite the initially limited support and resources, what resulted were immersive installations that use a variety of found objects directly sourced from the immediate material culture of his current environment.”

See more of New’s work below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
With a focus on light and perspective, Olafur Eliasson’s installations have a transformative capacity that allows the viewer to experience the illusion of a supernatural environment. In an interstitial space of the Samsung Museum of Art in Seoul, Gravity Stairs is composed of glowing spheres which, attached to the ceiling and bathed in warm yellow light, resemble the sun. The otherworldly light and a mirror on the ceiling present an impression of floating through space and among celestial bodies.
Crystal Wagner’s otherworldly installations are both spellbinding and unsettling. The works resemble something organic, yet are constructed from paper, wire, wood, paint, sealant, and other materials. Her recent pieces are part of the new show "Dimensions of Three" at Allouche Gallery in New York City, along with Martin Gremse and Reinoud Oudshoorn. The show starts Nov. 30 and runs through Dec. 31. The artist was featured in Hi-Fructose Vol. 41, and she last appeared on our website here.
Spanish artist Pablo Valbuena alters viewers' experiences with architecture with his projection-based installation art. Valbuena prefers to work in cavernous, abandoned spaces where he can use bright, white light to ephemerally draw on the walls. He typically arranges his projections to respond the existing architectural structure. As the geometric light projections in each piece shift, viewers' relationship to the space changes.
While one may look at Gabriel Dawe's installations and call them fantastical and even decorative, the artist considers working with thread an act of rebellion. Growing up in Mexico City, as a boy, the Texas-based artist was discouraged from taking an interest in embroidery. While thread is his preferred medium, he uses it for architectural means. His minimalist aesthetic departs greatly from traditional crafting. Instead, Dawe uses the thread to build translucent, colorful shapes that alter the spaces they inhabit. He calls them Plexuses, a term used to describe branching vessels or nerves. Dawe recently set up Plexus 28, a rich eggplant and crimson-hued piece composed of two concentric circles, at the Virginia MOCA. The MOCA created a time lapse video of the creation of the piece, as well as a short video interview with the artist. Check out more on Plexus 28 below and if you're curious about Dawe's other work, take a look at our previous post about the artist here.

Subscribe to the Hi-Fructose Mailing List