Menu
The New Contemporary Art Magazine

Eliana Marinari’s Mixed-Media Paintings Reflect on Memory

Exploring the reality of "distorted or inaccessible memories," Eliana Marinari applies several layers of aerosol acrylic paint over ink and pastel drawings. In the artist’s “Recognition Memory” and “Recollection” series, portraits and still-life works are given this treatment, respectively. The resulting work is both haunting and brings reflection on our own limitations, as viewers.

Exploring the reality of “distorted or inaccessible memories,” Eliana Marinari applies several layers of aerosol acrylic paint over ink and pastel drawings. In the artist’s “Recognition Memory” and “Recollection” series, portraits and still-life works are given this treatment, respectively. The resulting work is both haunting and brings reflection on our own limitations, as viewers.

On the former series, Marinari says this: “These hazy portraits challenge the viewer, as the process of face recognition becomes more difficult, semantic associations become more important. Neurons involved in face recognition are in close contact with neurons responsible to encode concepts, which respond in a very abstract way to faces. That’s how our brain goes from a perception-driven representation of face features to a memory-driven representation of concepts: meaning is attributed to each feature and qualities such as gender, identity, and appearance are translated on assumptions based on previous experiences, cultural beliefs and values.”

See more of this work below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Kara Walker's known for her frank and varied explorations of race, gender, violence, and sexuality. A controversial new collection of work, now at Sikkema Jenkins & Co. in New York City, tackles today’s white supremacy and our country’s history, now within the Trump era.
Andy Dixon's vibrant and decadent paintings examine the relationship between art and money. Whether it's the personal rooms of patrons or coveted works from the Christie's catalog, Dixon’s lush pieces look at the worth assigned to objects and expressions. (The artist shows new examples of this in an upcoming show at Joshua Liner Gallery.)
Ania Tomicka’s stirring figurative paintings have a particularly mystical quality within her latest body of work, “Omen.” In a show currently at Modern Eden Gallery under that title, several works by the Italian artist are collected. Often featuring feminine figures, the work calls upon literary and art histories.
Polish painter Daniel Maczynski does not concern himself with the subtext of his work. Rather, his geometric portraits are studies in form and color. According to the artist, the meaning behind the work is for the viewer to decide. Maczynski paints with thick, textured brushstrokes that evoke the physicality of the paint. In his portraits, he veers from tightly-rendered details to loose abstraction, allowing the human figures to morph into psychedelic swirls of color.

Subscribe to the Hi-Fructose Mailing List