Peter Saul’s surreal acrylic paintings have reflected, challenged, and parodied the status quo for the past six decades. In a new show at Mary Boone Gallery in New York, titled “Fake News,” Saul tackles the era of Trump in a new collection of paintings that rethink pieces of art history in the process. Saul was last mentioned on cctvta.com here.
“In the current exhibition, Saul tackles art history and its celebrities, as well as a present-day aspirant and his conundrums,” the gallery says. “Rembrandt’s 1642 masterpiece is re-imagined as an unthreatening militia of costumed ducks in Nightwatch II, Gainsborough’s beloved portrait subject cools off in Blue Boy with Ice Cream Cone, and the Texas Revolution takes a gruesome turn in Return to the Alamo. Donald Trump in Florida and Quack-Quack, Trump depict our presiding President in a variety of ignoble situations, oblivious to the imminent catastrophe presented in Global Warming, the Last Beer.”
The show runs through Oct. 28 at the gallery’s Chelsea location.
Chicago-based artist Joey D. has garnered a reputation for his pop-surrealist murals and animations. His work recalls, in some cases, '90s-era animation and the iconography of the Chicago area.
Omar Rayyan’s mythological paintings call upon a centuries-old sensibility while showcasing the artist’s penchant for the monstrous. His new show at Haven Gallery, titled "Fins, Feathers, & Fangs," collects new works from Rayyan, who was last featured on our site 
Gregory Ferrand’s cinematic paintings, often laced with anachronisms, speak to a broader sense of isolation belonging to an otherwise social species. The artist's academic background in film is evident throughout his works, with a full-frame attention to mood and detail. Among the artist’s other influences: Mexican muralists, comic books, and quite evident below, a mid-19th-century aesthetic.
Painter Rodel Tapaya ties the current social climate of the Philippines to the mythology of the past. In a recent show at