Menu
The New Contemporary Art Magazine

Aya Kakeda’s Vibrant Fictional Worlds

Aya Kakeda, a Tokyo-born, New York-based artist, moves between illustration and personal work, all carrying a vibrancy and a dynamic layering aesthetic. Much of her work is created in gouache on wood or canvas, with Kakeda using the texture of each to breathe life into her fictional worlds.

Aya Kakeda, a Tokyo-born, New York-based artist, moves between illustration and personal work, all carrying a vibrancy and a dynamic layering aesthetic. Much of her work is created in gouache on wood or canvas, with Kakeda using the texture of each to breathe life into her fictional worlds.

Kakeda’s personal work is marked by engaging narrative, as is the case in the below pieces from the body of work “Yashita Tribe Myth.” “Yashita Tribe lived in ToTai Island around 14th to 16th centuries,” she says. “This is a story from the Yashita Tribe during the plague causing many people to die. They believed it was caused by a curse of bear spirit. In order to get rid of the curse they sacrificed 11 girls to the secret pond.”

As far as her illustration goes, the artist’s work has appeared in books, magazines, products, and more. Her clients include the New Yorker, NIKE, Nickelodeon, Men’s Journal, The New York Times, Disney, and Delta.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Toronto-based artist Christine Kim creates intricate collage pieces that explore the idea of boundaries — both in her choice of materials and narratives. She looks to investigate the idea of displacement and how it borderlines transient and permanent conditions. She specializes in illustration, installations and sculpture.
There seems to be a history running through Carmel Seymour’s water colors, but it’s hard to pin down. Somewhere in the hazy but sublime gap between art and illustration, the paintings suspend an alternate reality in the canvas’ mid-air, depicting some hyperreal folklore in a wash of negative space. Seymour’s conceit seems simple enough: she places contemporary figures, such as girls in jeans and sneakers, in some private oasis, perhaps the figures’ dream landscape or perhaps some alien planet. But the landscapes where her figures exist are not so much 'scapes as objects; entities without a before or after. Her water colors are deployed in highly restrained and linear strokes to focus on details, and then exploded to disrupt the hyperrealism and maximize the medium’s atmospheric emphasis. The paintings have no clear beginning or end, but beg the question: what’s the story here?
Austrian illustrator Alice Wellinger paints ironic and surreal images inspired by her childhood and everyday life experiences as a woman. Wellinger's paintings are a like patchwork of womanhood, often weaving female bodies with florals and other abstract, organic shapes. Her editorial illustration employs elements of cool surrealism with unapologetic messaging; from a fragile, porcelain-like vagina to more whimsical, like her pregnant Superwoman on a mission. Her imagination runs wild in her personal work. Wellinger’s artist statement on her website is simple: “I always try to tell a little story in my pictures - I like when people have something to think about." See more after the jump!
Tokyo-born artist Masaaki Sasamoto creates surreal worlds bathed in gold, mixing mythological iconography and the painter’s own, distinctive figures. The butterfly is one of the most common components in Sasamoto’s work, whether enveloping his subjects or fully embedded into them. Some of these scenes also carry notes of steampunk and futuristic, manga-inspired flourishes.

Subscribe to the Hi-Fructose Mailing List