Menu
The New Contemporary Art Magazine

Dylan Egon’s Collages Mix Symbols, Ideals of Western Culture

Dylan Egon, a New York City-born artist raised by two fine artists, creates sculptures and assemblages that reflect American culture, whether through religious or monetary iconography. A New York Times review once referred to his work as “sites of cultural compression, fetishization and wonder.” Egon was last featured on cctvta.com here.

Dylan Egon, a New York City-born artist raised by two fine artists, creates sculptures and assemblages that reflect American culture, whether through religious or monetary iconography. A New York Times review once referred to his work as “sites of cultural compression, fetishization and wonder.” Egon was last featured on cctvta.com here.



Egon’s work often branches otherwise separate tokens and structures together, bridging concepts in holistic reflections of Western commercialism and other ideals. In this process, flat, screen-printed objects and three-dimensional pieces are also blended, offering engrossing points of entry. In a statement, Egon’s work is described as such: “His studies in anthropology, archeology, and film have proved valuable in communicating the themes his artwork often explores. Themes have included commercialism versus artistic integrity and the social implications of misplaced perceptions of value, with references to pop culture and iconology.”

Egon’s works have been commissioned by Dior, Rolex, Chanel, and several other high-end brands and fashion houses. Last year, NO TOFU Magazine ran a Chanel Beauty editorial that included objects created by Egon. The artist is currently based in Jersey City, New Jersey.



Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Graham Caldwell's glass-blown, welded sculptures gleam like insect eyes, refracting the viewer's reflection into myriad distorted parts. The Washington D.C.-based artist works with hypnotizingly shiny surfaces, which he arranges into shapes that resemble various natural processes. In one piece, teardrop-shaped glass vessels explode from a central point like a flower blossom. In others, irregular, prismatic arrangements of multi-colored glass coalesce into crystal-like shapes. While Caldwell's work at times evokes the natural world, his final products are sleek and oftentimes look manufactured despite his hand-done processes.
Vipoo Srivilasa works predominantly in ceramics. He uses porcelain clay to hand build his work, then he paints over it with cobalt oxide to obtain the blue color. The last step of this process consists of firing the work at 1200°C. According to the artist, his work is saturated with symbols taken from different religions, although it’s not meant to evoke religion itself, but rather to reinvent certain religious images. "For the series Roop-Rote-Ruang (Taste-Touch-Tell), I used the Buddhist philosophy of Ayatana as a reference for my work. The Roop-Rote-Ruang (Taste-Touch-Tell) Project is a series of dinner parties that I hosted to embrace the Buddhist concept of "Ayatana" and the six “channels of awareness” (my guests’ sight, taste, smell, hearing, touch and mindfulness)”, he says.
Oakland-based artist Jaime Lakatos' sculptures have risen from the ashes — quite literally. Lakatos imagines a dystopian world not far along on our trajectory of environmental destruction. She burns her hunting trophy-like busts of various animals until their surfaces become blackened and charred. Lakatos created this technique to portray her animals in a "confused state of cross-species evolution" in order to broach the topics of unchecked scientific progress and human expansion. Coming up at Empire 7 Studios in San Jose, Lakatos' solo show "Cinderscape" will debut a new series of sculptures, installations, and paintings on May 8.
There’s a tradition in the faceted approach to depicting figures that goes further back than than the pop designs of Tim Biskup or the vibrant multimedia works of Okuda. David Mesguich’s large public sculptures add to the contemporary side of this approach, with dramatic pieces that use light and shadows in unexpected and enormous ways. The sculpture below plays on the artist's past work as a graffiti artist and self-professed "vandal," using recycled plastic from street advertisements.

Subscribe to the Hi-Fructose Mailing List