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Petey Ulatan’s Digital Photo Manipulations of Cubic Landscapes

Honolulu, Hawaii based photographer and designer Petey Ulatan often creates images that explore the impossible. A recent series, which Ulatan posts to his Instagram page, takes this idea and applies it to infinite scenarios: digital photo-manipulations of his own photographs from his travels, others from Google images, that re-shape the world as if it were folded into a giant cube.

Honolulu, Hawaii based photographer and designer Petey Ulatan often creates images that explore the impossible. A recent series, which Ulatan posts to his Instagram page, takes this idea and applies it to infinite scenarios: digital photo-manipulations of his own photographs from his travels, others from Google images, that re-shape the world as if it were folded into a giant cube.

“I like to describe myself as a photographer with a graphic designer’s heart. I’ve been designing since I could pick up a pencil and taking photographs for as long as I remember,” Ulatan shares. It should come as no surprise that Ulatan is a fan of science fiction films and minimalist architecture, whose images resemble Inception’s mind-bending dream landscapes, or the thematic perspectives in Star Wars and 2001: A Space Odyssey.

What began as a fun experiment took Ulatan several months to perfect, discovering how simple changes can alter our perception of the picture entirely. “For some images, I would mask out the sky and add another layer of another photo of a sky to create the illusion that it’s coming from one world.” Some of his most astonishing images are of surfers riding up an epic tidal wave, or the inverted skylines of actual cities. Each involves a subtle play on reflection and symmetry, elements from our reality turned into a lucid dream world.

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Mike Campau’s ‘Anti-Social’ Series Looks at Digital Platforms

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Shinichi Maruyama’s Photography Captures Subtleties of Motion

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JR’s Towering Photographs of Athletes Impress in Rio

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Jess Littlewood’s Striking Landscapes of Future Worlds

London based photo-collage artist Jess Littlewood takes us into a spacey alternate dimension. These prismatic future worlds, dotted with geodomes, are her vision of a failed Utopia that is perpetually doomed. Littlewood's images are the result of built up layers of found images which she exhaustively archives. Alien crafts and upside-down pyramids hover in forboding skies overhead and forests burn in the background, while abandoned landscapes show little sign of survival below.
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