Menu
The New Contemporary Art Magazine

“Punk Art Surrealist” Winston Smith Debuts New Collage Works

He's been labeled a legendary master of collage and a "Punk Art Surrealist". Bay Area artist Winston Smith has been making his thought-provoking surrealist collages since the 1970s. Smith left the U.S. in 1969 to study art in Italy and experienced "a massive case of culture shock" upon his return. Struck by the profound social changes that had occurred during his absence, he began taking "safe" images from magazines to create politically-charged works of art.

He’s been labeled a legendary master of collage and a “Punk Art Surrealist”. Bay Area artist Winston Smith has been making his thought-provoking surrealist collages since the 1970s. Smith left the U.S. in 1969 to study art in Italy and experienced “a massive case of culture shock” upon his return. Struck by the profound social changes that had occurred during his absence, he began taking “safe” images from magazines to create politically-charged works of art.

There’s something inherently “punk” about making collage- it requires a do-it-yourself mentality and a certain aggressiveness in cutting and splicing together pictures. Smith once said, “If you have a razor blade and some glue, you can suddenly change the whole world. That’s why collage, I think, has a certain impact, because taking images from diverse sources shocks the mind, ’cause we’re used to seeing things in context.”

Smith’s works can be dark and unsettling, in his words, a “sour point of view,” or bright and fluorescent, using art from early advertisements. You will find a range in his current exhibit “Retrograde” at Mule Gallery in San Francisco. The show presents new collages alongside older pieces, involving commentary on politics and consumer culture. One of these is his controversial cover art for Dead Kennedys’ In God We Trust, Inc., an image of a crucifix made of dollar bills, which vocalist Jello Biafra says inspired the album.

To Smith, punk was more an art movement than it was a music movement, and the art and the music went hand-in-hand. His chaotic sense of surrealism and simplicity in collage perfectly mixed with the political folly of punk bands of the time, and his work that blazed their albums and gig flyers would eventually inspire a generation of artists. He has created art for the music label Alternative Tentacles, as well as over 50 record covers for bands including the Dead Kennedys and Green Day, among many others. “Retrograde: Art by Winston Smith” is on view through June 24th, 2016.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
San Francisco-based artist John Vochatzer channels Hieronymus Bosch in his dynamic and complex collages that utilize both religious iconography and natural imagery to shock and inspire. Vochatzer initially delved into surrealism as a teenaged oil painter “fruitlessly trying to emulate Salvador Dali”- since then, he has only further pursued “bizarre and fantastical” aesthetics, which converge powerfully in his works.
Although he is best known for his humorous graffiti and imagery, Kenny Scharf has long been interested in more serious political topics. His solo exhibition "Born Again", opening this Saturday at Honor Fraser gallery, highlights his unique ability to make the mundane more fun. In his latest series, bright and colorful palette and wacky shapes are painted onto repurposed, found art. It's not all fun and games for the artist, who sees his comical approach as an act of defiance.
Manila, Phillipines based artist Dex Fernandez creates works that range from street art murals, animation, painting and drawing to photography. Using a variety of media, his ongoing series of eclectic collage portraits combines almost all of his interests. Fernandez's inspirations are equally diverse. His series juxtaposes good and evil, beauty and ugliness by mixing pop art, religious iconography, and vintage images from posters and magazines that he finds in thrift shops.
The stirring digital collages of Ben Owens are highlighted in a new show at Muneca Arthouse in Patchogue, New York. “Flaw Essence” collects both monochromatic and vibrant experiments from the artist. Owens says this collection of works is part of an attempt to “use bright and sometimes fluorescent colors while trying new techniques, mediums and styles.” The show opens on April 13 at the space.

Subscribe to the Hi-Fructose Mailing List