Menu
The New Contemporary Art Magazine

Marco Mazzoni Exhibits New Colored Pencil Works in “Monism”

Infused with ecstasy and a dark beauty, Marco Mazzoni's art underlines the connection between the natural world and our own. First featured on the cover of Hi-Fructose Vol. 20, and our blog, the Milan, Italy based artist uses nature as symbolism for his own observations about life, where ghostly figures often emerge in the final stage of drawing. Their eyes are never shown, as Mazzoni sees his work more like a composition of still life of small animals, flowers and leaves, rather than a portrait, rendered only using colored pencil.

Infused with ecstasy and a dark beauty, Marco Mazzoni’s art underlines the connection between the natural world and our own. First featured on the cover of Hi-Fructose Vol. 20, and our blog, the Milan, Italy based artist uses nature as symbolism for his own observations about life, where ghostly figures often emerge in the final stage of drawing. Their eyes are never shown, as Mazzoni sees his work more like a composition of still life of small animals, flowers and leaves, rather than a portrait, rendered only using colored pencil.

Marco Mazzoni often works with the female figure and narratives from ancient Italian folktales, but in recent months, his interest has turned towards darker themes. His upcoming solo show, “Monism”, debuting on May 13th at Galleri Benoni in Denmark, will be one of his darkest shows to date. “It’s darkness is underlined both in the lack of an escape route showed within the moleskine drawings, in which I represent society as a “sect”, and also in all the feminine figures who literally come out of a deep dark background,” Mazzoni shares with Hi-Fructose.

“In all of my shows, I analyze society in a critical way, though always leaving a sparkle of hope, that I identify in the individual instinct of survival as catharsis. In this show specifically, that catharsis is not possible anymore, as the evolution of society destroys the survival instinct.” Mazzoni divides the show into two series: the first, ponders the negative aspects of “collectivity”, the quality or state of being a collective human body where “evolution does not exist.” The second part represents “feminine change”, especially through his triptych “Spasm/Menarca/Virtue”, in which the growth of a woman is used as a metaphor for social observation.

Mazzoni explains: “The show describes a social evolution that follows the one underlined by the famous quote from “Gattopardo”: “Se vogliamo che tutto rimanga com’è, bisogna che tutto cambi (If we want everything to remain as it is, everything has to change)”. Instead, in this moment, to describe the nowadays situation and paraphrasing the previous quote, a more suitable sentence would be “If we want everything to remain as it is, everything must stay the same”, in a critical way. All of the moleskines focus on this concept, which is also underlined in the titles, repeating the words “as a”: action-reaction.”

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
In July 2013, we partnered with Marco Mazzoni (featured on the cover of Hi-Fructose Vol. 20) and Pressure Printing to create these “Santa Lucia” Hand-Embellished Prints. We sold out of these immediately. Marco Mazzoni has generously decided to have Hi-Fructose donate 100% of the proceeds from his five artist proofs to support the Huntington's Disease Society of America's fight for a cure for Huntington's Disease. The prints are each hand embellished by the artist, making them one of a kind items. See complete details after the jump.
William A. Hall was homeless for 18 years before his intricate colored pencil drawings of vehicles and futurescapes were discovered and brought to the public. During the past few years, his work has been displayed by Henry Boxer Gallery and brought to museum collections specializing in folk and outsider art.
Colored pencils haven't quite received the recognition of their counterparts as a fine art material- and yet over the years, we've featured artists from all over the world who have surprised us with what can be achieved by these utensils from our elementary school sets. CHG Circa in Los Angeles sent a group of international artists a set of their own and invited them to refer back to their child imagination.
David Jien’s works on paper and sculptures blend modern pop culture and video games with historical iconography and imagery. These hyperdetailed works can feel both mythological and like a Nintendo RPG. The Los Angeles-based artist uses colored pencil and graphite on his paper works, along with occasional use of holographic film and other elements that add to their otherworldly nature.

Subscribe to the Hi-Fructose Mailing List