Menu
The New Contemporary Art Magazine

David Mach’s “Golgotha” Sculpture Casts the Crucifixion in Coat Hangers

The crucifixion of Jesus has been depicted in religious art since the 4th century CE. World renown Scottish-born artist David Mach, famous for his stunning sculptures made out of wire coat hangers, turned heads with his own depiction of the Bible's most compelling event- his "Golgotha" sculpture first debuted in his 2011 exhibition titled "Previous Light", which opened in commemoration of the 400th anniversary of the King James Bible. The monumental piece is again provoking a strong reaction with its recent display within the 14th century walls of Chester Cathedral in England.

The crucifixion of Jesus has been depicted in religious art since the 4th century CE. World renown Scottish-born artist David Mach, famous for his stunning sculptures made out of wire coat hangers, turned heads with his own depiction of the Bible’s most compelling event- his “Golgotha” sculpture first debuted in his 2011 exhibition titled “Previous Light”, which opened in commemoration of the 400th anniversary of the King James Bible. The monumental piece is again provoking a strong reaction with its recent display within the 14th century walls of Chester Cathedral in England.

“The Bible has it all- war, famine, sex, death, pestilence, jealousy, revenge. Struggle, pain, love death- it’s all in there,” Mach said of the piece during it’s original showing. “As an artist, I think I would struggle to find a richer source of inspiration. No single text has had such a profound effect on our language, culture, and thoughts as this book.”

Installation of David Mach’s ‘Golgotha’ Sculpture. from David Mach on Vimeo.

Though unconventional and abstract in its use of materials, Mach’s sculptures of Jesus and the thieves behind him scream the real life pain of the crucifixion. Coat hangers are used as contours to describe the shape of the human form, where thousands of hooks are arranged in such a way that they create a sort of double image or sense of movement- the sculptures appear to look as if they are vibrating or animated.

“Golgotha is my largest coat hanger piece to date,” Mach says. “I wanted this sculpture to be dramatic. It is an epic, violent scene. So the sculpture needed to have as much pathos as possible. I extruded the coat hanger hooks outward to reflect that and to me they seem to capture the agony of the moment.” David Mach’s “Golgotha” is now on view at Chester Cathedral until May 1st, 2016.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
hotdog Dutch artist Harma Heikens (featured in HF Vol. 13) is not afraid to use loaded imagery. Her upcoming show at KochxBos Gallery in Amsterdam, "All Is Fair in Love and War," toes the line between provocative and profane with a new series of confrontational, human-scale sculptures that touch upon taboo themes such as sexual abuse, violence, media saturation, hate groups and religion. The exhibition coincides with the release of her new book Sculptures, which features a foreword by Hi-Fructose co-editor-in-chief Annie Owens.
Graham Caldwell's glass-blown, welded sculptures gleam like insect eyes, refracting the viewer's reflection into myriad distorted parts. The Washington D.C.-based artist works with hypnotizingly shiny surfaces, which he arranges into shapes that resemble various natural processes. In one piece, teardrop-shaped glass vessels explode from a central point like a flower blossom. In others, irregular, prismatic arrangements of multi-colored glass coalesce into crystal-like shapes. While Caldwell's work at times evokes the natural world, his final products are sleek and oftentimes look manufactured despite his hand-done processes.
Qixuan Lim, also known as Qimmyshimmy, uses polymer clay to create tiny sculptures depicting infants and body organs. When removed from a singular context and placed into plastic packaging, these items become disturbing suckers, medication, and other types of edible objects. The Singapore-raised artist is currently based in the Netherlands.
You may know Czech artist Jan Kaláb, aka "POINT" (used for his sculptures), aka "Cakes" (used for his traditional graffiti), and the founder of street art crew the "DSK". He is credited as one of the first artists to bring urban art into Eastern European countries after the borders opened up in the early 90s. Kaláb's work has seen an evolution since his abstract graffiti writing, where in recent years, he has translated his street art style onto canvas and hand-painted geometric sculptures.

Subscribe to the Hi-Fructose Mailing List