Menu
The New Contemporary Art Magazine

Deirdre Sullivan-Beeman Adds Fairytale Charm to 14th Century Painting

Hollywood based artist Deirdre Sullivan-Beeman adds an enchanting, fairytale-like charm to her paintings made by a 14th century technique of oil paints and egg tempera. Her youthful images evoke the romance and luminosity of works by Old Master painters like Michelangelo and Leonardo da Vinci, combined with elements taken from religion, legends, and glyphs or pictograms, used to tell her stories. Her primary subject is often a little girl, sometimes wearing a pinafore dress, depicted wandering in a nonsensical realm with talking flowers and white rabbits, recalling images from Lewis Carroll's Alice's Adventures in Wonderland. The main source of Beeman's unique mythology, however, comes from her own personal experiences and what she writes down in a dream journal that she has kept over the years.

Hollywood based artist Deirdre Sullivan-Beeman adds an enchanting, fairytale-like charm to her paintings made by a 14th century technique of oil paints and egg tempera. Her youthful images evoke the romance and luminosity of works by Old Master painters like Michelangelo and Leonardo da Vinci, combined with elements taken from religion, legends, and glyphs or pictograms, used to tell her stories. Her primary subject is often a little girl, sometimes wearing a pinafore dress, depicted wandering in a nonsensical realm with talking flowers and white rabbits, recalling images from Lewis Carroll’s Alice’s Adventures in Wonderland. The main source of Beeman’s unique mythology, however, comes from her own personal experiences and what she writes down in a dream journal that she has kept over the years. “I love combining this chaotic dream realm with reality,” she has said, not unlike some of her favorite contemporary artists, which include Mark Ryden, Tom Bagshaw, and Ray Ceasar. Beeman’s young subjects visit a magical world inspired by tarot cards in her new series, “One”, where they present various celestial bodies like the Moon Girl, and earthly creatures like the Goldfish Girl and Rose Girl. “In the Tarot, One is The Magician who symbolizes “As Above, So Below.” The innate qualities and energy of One tie its singularity to the multitude of all else that comes after,” Beeman explains. “One exposes itself and completely owns the consequences of being seen in its oneness – its aloneness. I imagine One can represent the many who are able to see and feel through its primordial strength.” Deirdre Sullivan-Beeman’s “One” will be on view at La Luz de Jesus Gallery in Los Angeles from February 5th through 28th, 2016.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Dogs are called man's best friend for a reason. Anyone who owns a dog understands that life long bond. For Seoul, Korea based artist Jeong Woojae, owning a dog also represents a strange combination of needing to satisfy one's insecurities with the newfound comfort it brings. In an ongoing series of whimsical oil paintings, Jeong tells the story of a little girl growing up in Korea with her giant chihuahua. Set against vibrant and hyperrealistic backdrops inspired by the artist's photographs of his hometown, their fairytale life feels very real.
Riccardo Mayr carefully adds elements and characters from the Star Wars franchise to original oil paintings from the 17th and 18th centuries. A new show, "Religious Paintings of the Expanded Galaxy," collects these works at Gallery 30 South in Pasadena. The gallery says one goal is to "present religious faith and ethics in a post-modern paradigm largely embedded in fictional reality through a multi-generational exposure and fascination with successful science fiction movies."
In Adam Giroux’s cerebral oil portraits, the painter uses ornamentation and extraction around his subjects. "Motivation" is a major theme in his work, exploring how one navigates the strange world we inhabit. He uses both realism and touches of abstraction in this work.
New York-based artist Edie Nadelhaft has an interest in exploring the several different dimensions of varying biological surfaces. In her recent series, "Flesh," the artist paints and draws her own hands. Working with a hyperrealist technique that almost breaks down into abstraction, the artist portrays the surfaces of her extremities with a detailed yet distorted perspective.

Subscribe to the Hi-Fructose Mailing List