Menu
The New Contemporary Art Magazine

Martine Johanna Paints Pensive Women in Surreal Settings

The women that populate Martine Johanna's world are pensive warriors who occupy a place of tension between powerful command and fragile insecurity; and between upstanding morality and dark cruelty. In many ways, the figural subjects of Johanna's paintings are conflate the complex binaries between which people battle and waver, settle and compromise. While each subject is shown as unique in appearance and mood, they are all united by a distant, thoughtful gaze − a metaphor for the wandering, worrying human mind.

The women that populate Martine Johanna‘s world are pensive warriors who occupy a place of tension between powerful command and fragile insecurity; and between upstanding morality and dark cruelty. In many ways, the figural subjects of Johanna’s paintings conflate the complex binaries between which people throughout their lifetimes, battle and waver, settle and compromise. While each subject is shown as unique in appearance and mood, they are all united by a distant, thoughtful gaze − a metaphor for the wandering, worrying human mind.

The Netherlandish artist paints in a traditional style infused with abstract elements that give her female characters a quality of uneasiness. Johanna uses unearthly and unnatural colors to illuminate her subjects from the inside, creating an aura that radiates outward from gleaning bare skin. As a former fashion designer, Johanna has intimate and expert knowledge of how clothes cling onto and fall from the female form. She also understands a seemingly innocuous choice of dress intrinsically shapes a woman’s identity. Though the paintings are surreal and at times alien, the garments with which Johanna chooses to clothe her women ground them to the present day, thus tying them directly to the viewer and his or her world.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Sometimes, massive leeches are simply just that: massive, gross, disconcerting leeches. Melbourne-based artist Beau White crafts oil paintings that may appall or at the very least, unsettle viewers. But he says that his love of “illustrating absurd, grotesque and distastefully humorous images” goes way back to his primary school days. But in general, there aren’t lofty statements to be made in these works.
Seungyea Park, also known as Spunky Zoe, crafts cerebral, stirring drawings that reflect varying internal tensions. Subjects, sometimes including the artist, do more than push, pull, and prod their faces: Their fingers pass through their skin and subvert its properties, conveying a spectrum of emotions.
The cerebral paintings of Chris Mars pack a new show at Copro Gallery, with a collection of surreal works that very in both size and scope. His new solo effort kicks off on May 11 and runs through June 1. (Mars was last featured on cctvta.com here and here.) Works such as "Relativity" (below) show the artist's knack for embedding visages in the contours of structures.
In Niko Photographisme's "The Robot Next Door" series, the artist depicts a world in which robotic creatures are among us. Blending analog materials with a bit of digital manipulation to create a surreal final product, the artist is able to create an intimate view of a sci-fi scenario. Depicting the figures taking part in everyday activities, the pieces carry a surprising vulnerability to match the futuristic concept.

Subscribe to the Hi-Fructose Mailing List