Ceramic figurines are like little reflections of ourselves. Historically modeled after royalty, famous actors, and unusual characters from every day life, they can show us who we are and where we come from. Scotland based artist Jessica Harrison sees figurines in much the same way, but beauty is only skin deep. She turns those reflections inside out to reveal her subjects’ personality and complexities underneath. Previously featured on our blog, her altered ceramic sculptures of antique figures are at first surprising. Some feature refined young women, or “Painted Ladies” decorated head-to-toe in tattoos, others appear to have been violently mutilated and bloody. Recently, she exhibited her painted ladies at Banksy’s Dismaland park in England and the “SWEET 18” exhibition at Kasteel d’Ursel in Belgium. Her ladies explore the deformity of the body through body modification and costume. For her 2014 series “Broken”, Harrison featured ready-made, found ceramics that were modified and “broken”. Where the figures were once solid and brittle, by Harrison’s treatment they became instantly fragile, exposed and fleshy. It’s an ongoing investigation into the relationship between the physical and what we cannot see inside of us. She will exhibit next in “Ceramix”, a group exhibition about the use of ceramics by artists of the 20th and 21st century, opening October 16th at Bonnefantenmuseum, Netherlands.
Yok is an Australian born artist raised on Ren & Stimpy and skateboarding graphics, while Sheryo is a Brooklyn based Singaporean artist with an affinity for kitsch and pulp illustrations. Together, the New York based duo calls themselves 
Argentinian-born artist 
In his first exhibition in Hungary, Dmitry Kawarga's "post-human" sculptures and installations reflect on humanity's vulnerability. His "Anthropocentrism Toxicosis” series, in particular, is on display at the Ferenczy Museum, with works built with polymers and occasionally, usage of 3D-printing processes. The exhibition runs through Sept. 15.