Menu
The New Contemporary Art Magazine

Doug Fogelson Exhibits Vibrant Photograms in “Broken Cabinet”

Chicago based artist Doug Fogelson creates mesmerizing photographic images of natural specimins, previously featured on our blog. His series titled "Broken Cabinet" is so named for the "cabinet of curiosities" that he collects, and then photographs through a process called photogramming. Photograms, for those who aren't familiar, are pictures produced with photographic materials, such as light-sensitive paper, but without a camera. Fogelson recently expanded on the series to include a display of his collection on view at Linda Warren Projects in Chicago.

Chicago based artist Doug Fogelson creates mesmerizing photographic images of natural specimins, previously featured on our blog. His series titled “Broken Cabinet” is so named for the “cabinet of curiosities” that he collects, and then photographs through a process called photogramming. Photograms, for those who aren’t familiar, are pictures produced with photographic materials, such as light-sensitive paper, but without a camera. Fogelson recently expanded on the series to include a display of his collection on view at Linda Warren Projects in Chicago. The countless amounts of shark teeth, fish, insects, feathers, and other creatures and objects are only faintly recognizable in his pictures. With this new addition, Fogelson brings an element of familiarity to the once living subjects of his vibrantly colored works. The choice of the organisms that he portrays is not random. Each is near extinction, and by continuing to call attention to them, Fogelson hopes he can inspire his audience to consider our impact on the environment.

“Broken Cabinet” by Doug Fogelson is now on view at Linda Warren Projects through November 7th.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Lucas Zimmermann, a self-taught photographer, explores light and color with his “Traffic Lights” series. The project exists in two separate parts, with “Traffic Lights 2.0” debuting just months ago. In these haunting shots, the photographer offers no human interactivity with the lights, which of course, are intended solely to move individuals from point A to B. Zimmermann photographed these in the place in which he lives and works, in Weimar, Germany.
Dutch artist Jasper de Beijer can be considered a historian of sorts, using sculpture-based photography to inspire new ideas about the past. The underlying theme in his work is the impact that the media's representation has on our collective understanding of history. de Beijer aims to deconstruct the media by staging historical events as 3D models, photographing them and then distorting them in his studio- the result of which looks stunningly more like drawings or illustrations than actual photographs. Each image taken is of a physical set made of drawn material and constructed bodies, environments, and ephemera.
South African designer Justin Plunkett’s “Con/struct” series has more in common with the digitally-fabricated renderings of speculative architecture than documentary photography, but it illustrates an eerie collision of both formats. The images are built from a combination of photography, 3D modeling and substantial post-production editing, to form street-level perspectives of futuristic urban fantasies.
Photographing porcelain figures the moment they hit the ground, Martin Klimas injects a sense of motion and chaos into an otherwise stationary object. The artist has taken a similar approach to photographing a moment of impact with bullets zipping through vases. For the figures, Klimas says that “the porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that seems to stop/pause the time and make time visible itself.”

Subscribe to the Hi-Fructose Mailing List