Menu
The New Contemporary Art Magazine

Studio Visit: Behind the Scenes of Erika Sanada’s New Sculptures

Erika Sanada's ceramic sculptures of puppies and other animals, featured in HF Vol. 31, are sweet yet a little chilling. Her surrealistic pieces give animals a dreamlike quality that draws the viewer in. Their disquieting nature is a reflection of Sanada's own fears and anxieties in her daily life, which she expresses through her artwork. In her artist statement, she calls this her "dark side". Sanada is looking to finally conquer these feelings in her new series, which she is now preparing for her next exhibition at Modern Eden Gallery. Take a look at our photos from Erika Sanada's studio after the jump.

Erika Sanada’s ceramic sculptures of puppies and other animals, featured in HF Vol. 31, are sweet yet a little chilling. Her surrealistic pieces give animals a dreamlike quality that draws the viewer in. Their disquieting nature is a reflection of Sanada’s own fears and anxieties in her daily life, which she expresses through her artwork. In her artist statement, she calls this her “dark side”. Sanada is looking to finally conquer these feelings in her new series, which she is now preparing for her next exhibition at Modern Eden Gallery. When we caught up with the artist in her studio, she shared, “I have a generally anxious personality that can be overwhelming at times. I constantly and excessively worry about my health, friends, family, money and everyday things more so than the regular person. This is something I’m fighting to overcome and hoping it echoes in the theme of my upcoming show, “Fighting Spirit.” Although highly stylized, Sanada treats her pieces like real, emotional beings with abnormal qualities. For example, this is the first time that she’s mixing elements of other animals, such as horns, with her canine subjects. As her art evolves, she inserts more details and gestures into them. “I feel my previous work was a bit stiffer, and my new work reflects a more dynamic style of storytelling,” she says. Go behind the scenes of Erika Sanada’s “Fighting Spirit” below, courtesy of the artist and Modern Eden Gallery.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
New York based artist Eric White paints dreamlike images that he "disrupts" with elements of old Hollywood movies and glamour. We are usually looking at his subjects from strange angles, peering over their shoulders and into their vintage car interiors in a voyeuristic way. Previously featured on our blog, White's work doesn't seem to fit any particular visual category. The scenes he creates are unreal and defy logic but aren't entirely Surrealism, and while figurative, cannot be called Realism - he has used the term "paranoid social realism." He continues to exhibit his fascination with confined settings and cinema imagery in his latest series of oil paintings, which debuted last night at Serge Sorokko Gallery in San Francisco.
"The Fourth World" is the utopian group show at Arch Enemy Arts in Philadelphia centered around the concept of a secular paradise populated by fantastical creatures ("heaven without religion," according to the gallery). The interdisciplinary artists in the show focus on character-based 3D work. There's Erika Sanada (Hi-Fructose Vol. 31), whose dog sculptures examine animal instincts and impulses. Then there's the delicate, taxidermy-like works of Caitlin McCormack; the ornamented bone sculptures of Chris Haas; Doubleparlour's mutated creations and Adam Wallacavage's tentacled chandeliers. While the idea of "The Fourth World" hints at an idealized wonderland, there are notes of darkness in many of the works. But for a group of artists with a penchant for surrealism, there's really no other way.
In En Iwamura’s recent show at Ross+Kramer Gallery's East Hampton venue, the artist explores the concept of “Ma,” a philosophical Japanese concept focusing on spatial awareness between entities. His vibrant creations, with their distinct structure and playfulness, give viewers the chance to consider Ma with his creatures.
Keiichi Tanaami’s wild sculptures and mixed-media works currently inhabit Jeffrey Deitch's New York location, as an extension of its "Tokyo Pop Underground" group show. The Hi-Fructose Vol. 38 cover artist is featured at the space until Nov. 2. We last mentioned Tanaami on our site here, in a story on his collaboration with artist Oliver Payne.

Subscribe to the Hi-Fructose Mailing List