Cover artist: Kehinde Wiley
Our 36th volume of Hi-Fructose New Contemporary Art Magazine arrives in July! Featured in our next print issue is: a major feature on art pioneer Robert Williams, the colorful installations of Pip & Pop, a review of cover artist Kehinde Wiley’s new monograph, Erin M. Riley’s embroidered selfies, Chiho Aoshima’s solo exhibition in Seattle, Cinta Vidal Agullo’s mesmerizing paintings, new works from Portland artist Blaine Fontana, the paintings of Mike Davis, a thought provoking article on the art and travels of street artist Swoon, plus reviews on the Sick Rose; featuring medical illustrations from tester-year and much more! Also, We’re thrilled to present this issue’s special 16-page insert section featuring Winnie Truong’s beautifully strange color pencil drawings, all in one issue!
Pre-Order our next issue here, and see more sneak peeks below.
Swoon
Blaine Fontana
Chiho Aoshima
Cinta
Mike Daris
Erin M. Riley
Pip & Pop
Winnie Truong
Robert Williams
The current art market in the Bay Area is precarious. Two of the City's three major art fairs disappeared last spring, galleries are getting evicted and artists are leaving due to unimpressive sales and rising rents. Curators from San Francisco and Oakland alike are racking their brains about how to appeal to the growing class of Twitterati. There is a disconnect between the Bay Area's influx of wealth and its art. Tucked away in suburban San Mateo, just south of SF, 
Tanya Schultz creates vibrant, immersive installation art under the moniker 
Toronto-based artist