Menu
The New Contemporary Art Magazine

Barry McGee and Todd James Collaborate on New Works in “FUD”

V1 Gallery in Copenhagen is currently hosting a two men show featuring Barry McGee and Todd James. Ever since they created "Street Market" together with Steve Powers at New York City's Deitch Projects in 2000, the two have exhibited together several times. Among others, they exhibited at the 2001 Venice Biennale, 2004 "Beautiful Losers" group exhibition, and the L.A. MOCA "Art in the Streets" in 2011. V1 Gallery has been supporting both artists through that entire time, and "FUD" is their second double-show with the gallery. Read more after the jump.

V1 Gallery in Copenhagen is currently hosting a two men show featuring Barry McGee and Todd James. Ever since they created “Street Market” together with Steve Powers at New York City’s Deitch Projects in 2000, the two have exhibited together several times. Among others, they exhibited at the 2001 Venice Biennale, 2004 “Beautiful Losers” group exhibition, and the L.A. MOCA “Art in the Streets” in 2011. V1 Gallery has been supporting both artists through that entire time, and “FUD” is their second double-show with the gallery.

The title of the show is borrowed from a random word that James has been using in his comics. Though it sounds like an acronym, or even a name of a graffiti crew, the closest explanation would be the sound of something heavy dropping on the ground. This non-serious and fun-loving approach to exhibiting art is what both artists are known for. Though coming from opposite sides from US, they are both having strong connections with graffiti culture and the life on the streets. While McGee is still active in that field, James is more focused on his art and numerous side projects he’s been working on. The idea of both artists was to organize, or disorganize a collaborative installation showing their distinct, bold and iconic visual languages. This resulted in a sort of visual punk created with works that understand and celebrate the outsiders and marginal characters, but also criticize consumerism culture.

Using found objects, old surfboards, vintage TV, broken safe box, Barry McGee is pointing at the beauty in anarchy and autonomy. Though showing at museums and being exhibited at major art events worldwide, the works have this human, imperfect feel to them which adds to their beauty. By mixing and juxtaposing geometrical patterns and shapes against his recognizable characters, the pieces always carry an unmistakable, playful feel to them. The pieces, interventions and installations prepared for this show are no exception to that.

Though significantly different, the aesthetics of Todd James’ works are also highly recognizable. Through the years of writing graffiti, drawing cartoons, painting, sketching, designing puppets, animations, etc, the NY-based artist created a minimalist visual language through which he is showing his vision of the world. Using bright primary colors, raw shapes and hardly any outlines, his paintings feel very atmospheric and often engaged. For this particular show, he painted couple of works that are showing female characters enjoying a leisure lifestyle, often incorporating some fantasy elements in them. The main piece he painted for FUD is a totem-like, almost abstract painting inspired by the late NYC legend, Rammellzee.

Along with works by these two artists, the gallery is showing a small and intimate group show of their friends, including Khashayar, Magnus Vind, Ebitso, Julien Couic, Alicia McCarthy, Pablo Pinho and Derek Marshall.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Kate Zambrano’s new paintings adorn found objects, shifting in tone and representing an evolution for the artist. Her work is part of an upcoming show at Modern Eden Gallery, "RE/FORM," in which she disassembles the human form. The show runs Oct. 13-Nov. 2 at the San Francisco gallery.
Op art works are abstract, and while mostly in black and white, UK artist Carl Cashman usually infuses his with clashing neon colors. Using geometry and optical illusion, his works depict hidden symbols and movement, as in bold patterns that appear to flex and warp. Cashman (covered here) enhances these qualities with a style that he calls "Neometry". Unlike completely abstracted art, which bears no trace of anything recognizable, Cashman's sees his art as a sort of biography. The inspiration behind his latest series of acrylic works, titled "An Edited Version of Life", references moments in his daily life.
People complain a lot about Los Angeles: It's too big, too spread out, and the traffic is terrible. But local artist Susan Logoreci sees a different side of her city that she conveys in her large-scale mosaic-like colored pencil drawings. Her images of the urban sprawl are drawn by hand and without a ruler or projector, giving her work a hand-made or in her words, "elastic", quality that breaks the first rule of drawing architecture.
Peter Gronquist recently made a considerable departure from his recognizable taxidermy sculptures with "The Great Escape" (previewed here). His latest collection, now on view at Joseph Gross Gallery, is an abstraction of his former self with the same signature playfulness. Gronquist calls the experience of working on the show liberating, a chance to satisfy creative impulses. While his new style may feel sudden, it has actually been a year and a half in the making that was encouraged by comissions for abstract art.

Subscribe to the Hi-Fructose Mailing List