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Margarita Sampson’s Sculptural Furniture Comes to Life with Organic Shapes

Margarita Sampson turns ordinary furniture into alluring fabric sculptures made up of organic shapes and sumptuous textures. Inspired by the scenery of her native Norfolk Island, a small island near Australia, Sampson is interested in the ways that invasive plant species can take over a landscape. For her Salon series, she turned antique chairs into growth sites for forms that resemble expanding coral reefs, barnacles, and sea anemones. "The recent 'Salon' series pitches overweening growths onto a host chair, which begins to succumb or bend under the weight," writes Sampson. "Poised at a juncture, there are many scenarios that could evolve... the chair is buried in soft forms? They outgrow themselves and die out? They take over an entire room? You? That's the excitement and the tension I seek when working on a piece."

Margarita Sampson turns ordinary furniture into alluring fabric sculptures made up of organic shapes and sumptuous textures. Inspired by the scenery of her native Norfolk Island, a small island near Australia, Sampson is interested in the ways that invasive plant species can take over a landscape. For her Salon series, she turned antique chairs into growth sites for forms that resemble expanding coral reefs, barnacles, and sea anemones. “The recent ‘Salon’ series pitches overweening growths onto a host chair, which begins to succumb or bend under the weight,” writes Sampson. “Poised at a juncture, there are many scenarios that could evolve… the chair is buried in soft forms? They outgrow themselves and die out? They take over an entire room? You? That’s the excitement and the tension I seek when working on a piece.”

Topics

Margarita Sampson, sculpture

arch enemy arts, graphic novels, sculpture, Troy Coulterman

September 8, 2015

Canadian sculptor Troy Coulterman, first featured in Hi-Fructose Vol. 27, creates colorful and surprisingly illustrative figures. Working mostly with resin and steel painted with acrylic, Coulterman's works enhance the quirkiness of every day people. For his current exhibition at Arch Enemy Arts gallery in Philadelphia, "Full Disclosure", Coulterman attaches geometric shapes to his subjects. In his show statement, he explains the meaning behind these strange appendages: "I chose these basic shapes because they are loaded with symbolism and have various meanings throughout different cultures. A triangle can represent future, truth or intellect, a circle can represent present, perfection or emotion and a square can represent past, destiny or beauty. Depending on who the viewer is these shapes can hold different meanings and that's what drew them to me.”

Dietrich Wegner’s Surreal Works Embrace Contradictions

Dietrich Wegner, printmaking, sculpture

December 29, 2016

In works that "explore our notions of contentment and security," artist Dietrich Wegner creates surreal images that bring clouds closer to the earth and explores identity through logos embedded onto children. These are works full of contradiction, both humorous and sobering, whimsical and harrowing. The ideas are conveyed in both sculptural works and prints, offering several points of entry into the mind of the artist.

Richard Wilson’s Head-Tilting Installations, Sculptures

installation, Richard Wilson, sculpture

February 3, 2017

Famed sculptor/installation artist Richard Wilson creates “architectural interventions,” in which otherwise everyday building faces and structures are shifted in dreamlike fashion. Through brilliant engineering, the artist takes the elements of our day-to-day experience inside and outside in ways that may seem impossible at first glance.

Behind the Scenes of Jorge Rodriguez-Gerada’s “Fragments of Humanity”

fragments of humanity, jorge rodriguez-gerada, sculpture, white walls

May 15, 2014

Surface material is of utmost importance in Jorge Rodriguez-Gerada's practice. The artist, who is known for creating massive land art portraits visible from aerial views, recently presented a new series of work titled "Fragments of Humanity" for his current solo show in White Walls Gallery's project space. For "Fragments," Rodriguez-Gerada utilized pieces of stone from his adopted home of Spain. Culling materials for buildings that are slated to be demolished, the artist chose surfaces with over 500 years of history, reworking them to create a line of continuity from their past to the present. His series of mixed-media portraits on wall surface fragments look so fragile they could break if they weren't wedged between the panes of glass in their frames. This delicate series is anchored by a weighty sculpture carved from a limestone pillar. "Fragments of Humanity" is on view through June 7 at White Walls in San Francisco.

Margarita Sampson’s Sculptural Furniture Comes to Life with Organic Shapes

Troy Coulterman’s Sculptures Grow Colorful Shapes in “Full Disclosure”

Dietrich Wegner’s Surreal Works Embrace Contradictions

Richard Wilson’s Head-Tilting Installations, Sculptures

Behind the Scenes of Jorge Rodriguez-Gerada’s “Fragments of Humanity”

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