London artist duo Mariana Fantich and Dominic Young, collectively known as Fantich & Young, create innovative sculptures using found objects. Fantich & Young's humorous series "Apex Predator" envisions a fantastical twist in the history of evolution. The artists glued individual teeth from dentures on to various types of footwear to create menacing-looking shoes with a bite. Stacked in rows like sharks' teeth, the dentures give the shoes menacing grins that warn one not to get to close.
London artist duo Mariana Fantich and Dominic Young, collectively known as Fantich & Young, create innovative sculptures using found objects. Fantich & Young’s humorous series “Apex Predator” envisions a fantastical twist in the history of evolution. The artists glued individual teeth from dentures on to various types of footwear to create menacing-looking shoes with a bite. Stacked in rows like sharks’ teeth, the dentures give the shoes menacing grins that warn one not to get to close.
Darius Hulea's figures are forged in metal wire, yet carry a ghostly, apparating quality. The Romania-based artist depicts a range of figures, from Ferdinand I and violinst George Enesco to philosopher Mircea Eliade and sculptor Frederic Storck. The artist moves between differing types of metal, as well, including bronze, iron, steel, copper, and brass.
Diana Al-Hadid’s ghostly sculptures, which take influence from historical architecture, mythology, and beyond, are currently inhabiting both a gallery at Frist Art Museum and outdoor gardens at Cheekwood in concurrent exhibitions in Nashville. “Subliminations” collects varying types of work from the artist, with both figurative sculpture and wall reliefs. Above and below interior photos are by John Schweikert.
Travel to a time where humans prevail in all their primeval glory in Attaboy's new show at The Compound Gallery. This body of work includes the buzzed-about rock paintings on rocks, adding to the meta-nature of the new show that seems to be extracted from animation. Is this place the fate of the future or is it a temporal glimpse into our primitive past? Either way, you are sure to enjoy a silent moment with the Monocrag—or take a hike on the Triple Cragscape. Come for the humans, stay for the future. The "Future Human" sideshow will be up in the grey gallery beginning October 19, so you better get yourself a souvenir before this painted epoch ends.
In the imagination of 1986, Frankenstein creatures made of sheeps' skulls, spoons and scrap metal inhabit a world populated by steel flowers and paper birds. Georgie Seccull (aka 1986) is the Melbourne-based artist behind the fantastic installations, whose gigantic scale and raw aesthetic are reminiscent of prehistoric times. Using a combination of salvaged and recycled materials, 1986 builds installations with eccentric materials like computer parts and utensils for the wings of beetles. By merging organic matter like bamboo leaves, acorns and kumquats with modern instruments used in technology and mechanics, 1986 hurls forces of the past and future together to create otherworldly beings in the present.
