Menu
The New Contemporary Art Magazine

Dramatic Silhouettes in Murals by David de la Mano

When we first heard from Spanish artist David de la Mano, he was just wrapping up a mural at Djerbahood Street Art festival, one of the world's largest. Since then, he's been to Madrid, Cardiff, and Wales- home to his latest mural with Sheffield based muralist and artist Phlegm. He has also painted murals in Montevideo (Uruguay), Sadnes and Stavanger (Norway), Buenos Aires (Argentina), Lima (Peru) and Florida, just to name a few. De la Mano doesn't consider himself a "street artist"- he's first and foremost an illustrator with work in the street. In his own words, he's an "explorer of human behavior", represented in masses of people, their conflicts, and visual contradictions.

When we first heard from Spanish artist David de la Mano, he was just wrapping up a mural at Djerbahood Street Art festival, one of the world’s largest. Since then, he’s been to Madrid, Cardiff, and Wales- home to his latest mural with Sheffield based muralist and artist Phlegm. He has also painted murals in Montevideo (Uruguay), Sadnes and Stavanger (Norway), Buenos Aires (Argentina), Lima (Peru) and Florida, just to name a few. De la Mano doesn’t consider himself a “street artist”- he’s first and foremost an illustrator with work in the street. In his own words, he’s an “explorer of human behavior”, represented in masses of people, their conflicts, and visual contradictions. Stylistically, they look like the charging warriors on ancient Greek pottery, or traditional silhouette portraits of the late 18th century. He prefers urban and rural areas where there are interesting abandoned spaces. These spaces are part of the overall design. In one, the warm sunlight shines through his figure’s chest, where in another, figures take flight from the corner of an old window. Although site specific, the drama of his monochromatic imagery also provides a sense of mystery. Take a look at his most recent work below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
The Yok & Sheryo are a New York-based artist duo whose busy, illustrative murals can be found on walls world-over, from Hong Kong to Miami. Most recently spotted at the street art festival Pow! Wow! Taiwan (see our coverage here), the frequent collaborators have developed a signature style that contrasts an austere palette of red, white and black with jovial, surreal imagery — sentient hot dogs on a tropical vacation, a surfing Satan that seems as friendly as Santa Claus, et cetera. The artists' frequently-used motifs, like pizza and palm trees, reference pulp illustrations, skateboard graphics and their unabashed affinity for kitsch. They bring together a frenzied array of imagery that speaks to those who grew up admiring '80s and '90s skateboarding and surfing culture.
French artist Koralie creates vibrant, absorbing wall art and works on canvas that combine influences from both traditional and contemporary Japanese art, African and English history, and even wallpaper design. Her works appear publicly and inside galleries across the world.
In his upcoming solo exhibition at Backwoods Gallery in Melbourne, Australia, James Reka examines the transition in a city from winter to spring. Perhaps no other city experiences such a drastic change during this time, than does Berlin, which come April is flooded with people riding bikes, picnicking in parks and soaking up the sunshine. Earlier this year, Reka came to Berlin as the inaugural artist-in-residence at the Urban Nation Workspace in the former West Berlin neighborhood of Schöneberg. His abstract paintings of women pulse with a dynamic spirit that captures not only the city’s newfound spring life, but also Berlin’s struggles with gentrification. Working in Schöneberg, an area noted for both its upscale residences and regular prostitutes, Reka is no stranger to this paradox of imported poshness and crude authenticity.
A blend of Greco-Roman iconography and modern-day graphic design, LA-based duo Cyrcle's latest work is a prime example of the ways images get recycled, re-contextualized and repeated in contemporary culture. Like the philosopher Guy Debord famously predicted in the 1960s, our experiences are mediated through images, and almost everything in mass culture has become an image of an image of an image. Not to get too far off track, Cyrcle's new mural in Malmö, Sweden plays with this notion of pastiche.

Subscribe to the Hi-Fructose Mailing List