Some of our past articles may not have images. Click here to see those that do.

Miriam Escofet’s Esoteric Paintings of Idyllic Worlds

Miriam Escofet creates rich oil paintings of idyllic scenes that nostalgically allude to classical antiquity. Perhaps the only notes of pessimism in these sumptuous depictions of ornate architecture, statues and jewels is that Escofet's heavenly world seem to be nearly devoid of human inhabitants. This is a place that seems to belong to the gods — too perfect for mortals. Escofet originally studied 3D design and set out to be a ceramicist, which explains her attention to texture and volume. Each crease of fabric and crevice within a tree's bark is rendered with precision. Light and shadow are greatly contrasted to a level beyond what we normally experience with the human eye, making Escofet's fictional lands seem vivid yet illusory.

Miriam Escofet creates rich oil paintings of idyllic scenes that nostalgically allude to classical antiquity. Perhaps the only notes of pessimism in these sumptuous depictions of ornate architecture, statues and jewels is that Escofet’s heavenly world seem to be nearly devoid of human inhabitants. This is a place that seems to belong to the gods — too perfect for mortals. Escofet originally studied 3D design and set out to be a ceramicist, which explains her attention to texture and volume. Each crease of fabric and crevice within a tree’s bark is rendered with precision. Light and shadow are greatly contrasted to a level beyond what we normally experience with the human eye, making Escofet’s fictional lands seem vivid yet illusory.

Detail

Topics

Miriam Escofet, painting

Adam Lupton, painting

July 25, 2014

Despite the meticulous control and calculated perspectives, Canadian artist Adam Lupton’s oil paintings are constantly fidgeting. They mostly feature youth in various incarnations in a blur of motion represented as simultaneous frames, or with different layers of paint exposed. This jitteriness is revealed both through substance, by showing the layers of material creation, or through time, as the viewer pans multiple freeze-frames overlaid on top of each other. What stands still throughout all his work is an obsession with time and chaos, and the individual’s navigation of the two in the constant present.

Haley Hasler’s Self-Portraits Examine Her Various Roles

Haley Hasler, painting, self-portrait

June 19, 2014

Traditionally, the self-portrait gives the viewer an outward representation of the inner self. Painter Haley Hasler, however, is interested in creating self-portraits that confront the viewer with the exterior self — the different roles and expectations other expect us to fill. With a colorful palette, Hasler looks at herself through the many fantasies, realities, fears and motivations that live within her. Using a realist painting technique, the artist is able to freely cross the border between the imagined and the real.

Lise Stoufflet Draws Connections In and Out of Her Paintings

Lise Stouffel, Magic Realist, painting

September 5, 2015

When Lise Stoufflet creates an artwork, she begins with an intention. Only the titles, such as "Tous" (All) or "Magi" (Magic) offer clues as to the French artist's original motivations to convey a concept, mood or atmosphere. As Stoufflet explains in a French-language interview with Boum Bang Magazine, the artist is often surprised by the resulting images, such as that of "Tous," in which blindfolded men in identical blue uniforms lay on the ground, bound by hand and foot with strings.

Amy Hill’s Contemporary Take on the Seven Deadly Sins

Amy Hill, oil painting, painting

September 23, 2016

Amy Hill - "Apathy"

New York-based artist Amy Hill puts her contemporary spin on the work of 15th century painter Hans Memling in her series of oil paintings titled Seven Deadly Sins. Hill is known for adapting the styles of early Dutch and Flemish Renaissance painting and placing historical subjects within modern day settings. On her website, the artist writes, "I chose these eras because of my stylistic kinship with their artists, which allows me to carry on a kind of dialogue with them... I have chosen portraiture as it is a genre that runs through art history and allows me through poses, gestures and fashion detail to make social, psychological and anthropological statements about my subjects."

Miriam Escofet’s Esoteric Paintings of Idyllic Worlds

Adam Lupton’s Attempt to Capture Passing Time Through Disorienting Perspectives

Haley Hasler’s Self-Portraits Examine Her Various Roles

Lise Stoufflet Draws Connections In and Out of Her Paintings

Amy Hill’s Contemporary Take on the Seven Deadly Sins

Subscribe to the Hi-Fructose Mailing List

Follow us on our social networks

Shop

Subscribe

Subscribe to the Hi-Fructose Mailing List